October12014

agentmlovestacos:

Women of Marvel sketch cards by Mahmud Asrar

(Source: marvelwomenkickingass, via enjoytheflames7)

1PM

finofilipino:

Al sobre.

By Don Kenn

(Source: madebyabvh, via enjoytheflames7)

September302014

(Source: oakenbranch, via enjoytheflames7)

1PM

(Source: shit4chanposts)

September292014
1PM

Like a big old mess, that’s me!

(Source: thesilenceofthefannibals, via seriousasajoke)

11AM

littlebluboxx:

silentauroriamthereal:

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.image

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LETS APPLAUD CAROL ROSSETTI EVERYONEimage

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LOOK

(via 30secondstonarnia)

September282014
1PM

The scene in the train station where a young boy smiles at Cyclops and he smiles back was unplanned. The boy was a huge X-Men fan, and Cyclops was his favorite. The scene originally called for Cyclops to look at the train schedule, but according to Bryan Singer the boy could not stop smiling at James Marsden. Finally, during one shot, Marsden just looked back at him and smiled, much to the boy’s delight. Bryan Singer liked the idea so much, he kept it in the film

(Source: hughxjackman, via bl0wyourbackb0ne)

September272014
“She wasn’t bitter. She was sad, though. But it was a hopeful kind of sad. The kind of sad that just takes time.” Stephen Chbosky, The Perks of Being a Wallflower (via drapetomania)

(Source: goodreads.com, via drapetomania)

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September262014

(via go0nsometro)

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September252014
September222014
septagonstudios:

Richard Davies

septagonstudios:

Richard Davies

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